The second of two prequel novels in Isaac Asimov’s classic science-fiction masterpiece, the Foundation series

THE EPIC SAGA THAT INSPIRED THE APPLE TV+ SERIES FOUNDATION

As Hari Seldon struggles to perfect his revolutionary theory of psychohistory and ensure a place for humanity among the stars, the great Galactic Empire totters on the brink of apocalyptic collapse. Caught in the maelstrom are Seldon and all he holds dear, pawns in the struggle for dominance. Whoever can control Seldon will control psychohistory—and with it the future of the Galaxy.

Among those seeking to turn psychohistory into the greatest weapon known to man are a populist political demagogue, the weak-willed Emperor Cleon I, and a ruthless militaristic general. In his last act of service to humankind, Hari Seldon must somehow save his life’s work from their grasp as he searches for its true heirs—a search that begins with his own granddaughter and the dream of a new Foundation.

From the Publisher

A stunning testament to his creative genius. Forward The Foundation is a the saga's dramatic climax -- the story Asimov fans have been waiting for. An exciting tale of danger, intrigue, and suspense, Forward The Foundation brings to vivid life Asimov's best loved characters: hero Hari Seldon, who struggles to perfect his revolutionary theory of psychohistory to ensure the survival of humanity; Cleon II, the vain and crafty emperor of the Galactic Empire, doomed as the last scion of a fading dynasty; Eto Demerzel, the mysterious eminence grise of the palace, who wields the power of the throne and guards the fledgling Foundation; Dors Venabili, Seldon's devoted wife, whose life mission is to protect her husband-whatever the cost; and Wanda Seldon, Hari's stangely gifted granddaughter, whom he entrusts with this greatest creation -- the Second Foundation. --This text refers to the cassette edition.

Excerpt. © Reprinted by permission. All rights reserved.

1

"I tell you again, Hari," said Yugo Amaryl, "that your friend Demerzel is in deep trouble." He emphasized the word "friend" very lightly and with an unmistakable air of distaste.

Hari Seldon detected the sour note and ignored it. He looked up from his tricomputer and said, "I tell you again, Yugo, that that's nonsense." And then--with a trace of annoyance, just a trace--he added, "Why are you taking up my time by insisting?"

"Because I think it's important." Amaryl sat down defiantly. It was a gesture that indicated he was not going to be moved easily. Here he was and here he would stay.

Eight years before, he had been a heatsinker in the Dahl Sector--as low on the social scale as it was possible to be. He had been lifted out of that position by Seldon, made into a mathematician and an intellectual--more than that, into a psychohistorian.

Never for one minute did he forget what he had been and who he was now and to whom he owed the change. That meant that if he had to speak harshly to Hari Seldon--for Seldon's own good--no consideration of respect and love for the older man and no regard for his own career would stop him. He owed such harshness--and much more--to Seldon.

"Look, Hari," he said, chopping at the air with his left hand, "for some reason that is beyond my understanding, you think highly of this Demerzel, but I don't. No one whose opinion I respect--except you--thinks well of him. I don't care what happens to him personally, Hari, but as long as I think you do, I have no choice but to bring this to your attention."

Seldon smiled, as much at the other's earnestness as at what he considered to be the uselessness of his concern. He was fond of Yugo Amaryl--more than fond. Yugo was one of the four people he had encountered during that short period of his life when he was in flight across the face of the planet Trantor--Eto Demerzel, Dors Venabili, Yugo Amaryl, and Raych--four, the likes of which he had not found since.

In a particular and, in each case, different way, these four were indispensable to him--Yugo Amaryl, because of his quick understanding of the principles of psychohistory and of his imaginative probings into new areas. It was comforting to know that if anything happened to Seldon himself before the mathematics of the field could be completely worked out--and how slowly it proceeded, and how mountainous the obstacles--there would at least remain one good mind that would continue the research.

He said, "I'm sorry, Yugo. I don't mean to be impatient with you or to reject out of hand whatever it is you are so anxious to make me understand. It's just this job of mine; it's this business of being a department head--"

Amaryl found it his turn to smile and he repressed a slight chuckle. "I'm sorry, Hari, and I shouldn't laugh, but you have no natural aptitude for the position."

"As well I know, but I'll have to learn. I have to seem to be doing something harmless and there is nothing--nothing--more harmless than being the head of the Mathematics Department at Streeling University. I can fill my day with unimportant tasks, so that no one need know or ask about the course of our psychohistorical research, but the trouble is, I do fill my day with unimportant tasks and I have insufficient time to--" His eyes glanced around his office at the material stored in computers to which only he and Amaryl had the key and which, even if anyone else stumbled upon them, had been carefully phrased in an invented symbology that no one else would understand.

Amaryl said, "Once you work your way further into your duties, you'll begin to delegate and then you'll have more time."

"I hope so," said Seldon dubiously. "But tell me, what is it about Eto Demerzel that is so important?"

"Simply that Eto Demerzel, our great Emperor's First Minister, is busily creating an insurrection."

Seldon frowned. "Why would he want to do that?"

"I didn't say he wants to. He's simply doing it--whether he knows it or not--and with considerable help from some of his political enemies. That's all right with me, you understand. I think that, under ideal conditions, it would be a good thing to have him out of the Palace, off Trantor . . . beyond the Empire, for that matter. But you think highly of him, as I've said, and so I'm warning you, because I suspect that you are not following the recent political course of events as closely as you should."

"There are more important things to do," said Seldon mildly.

"Like psychohistory. I agree. But how are we going to develop psychohistory with any hope of success if we remain ignorant of politics? I mean, present-day politics. Now--now--is the time when the present is turning into the future. We can't just study the past. We know what happened in the past. It's against the present and the near future that we can check our results."

"It seems to me," said Seldon, "that I have heard this argument before."

"And you'll hear it again. It doesn't seem to do me any good to explain this to you."

Seldon sighed, sat back in his chair, and regarded Amaryl with a smile. The younger man could be abrasive, but he took psychohistory seriously--and that repaid all.

Amaryl still had the mark of his early years as a heatsinker. He had the broad shoulders and the muscular build of one who had been used to hard physical labor. He had not allowed his body to turn flabby and that was a good thing, for it inspired Seldon to resist the impulse to spend all of his time at the desk as well. He did not have Amaryl's sheer physical strength, but he still had his own talents as a Twister--for all that he had just turned forty and could not keep it up forever. But for now, he would continue. Thanks to his daily workouts, his waist was still trim, his legs and arms firm.

He said, "This concern for Demerzel cannot be purely a matter of his being a friend of mine. You must have some other motive."

"There's no puzzle to that. As long as you're a friend of Demerzel, your position here at the University is secure and you can continue to work on psychohistorical research."

"There you are. So I do have a reason to be friends with him. It isn't beyond your understanding at all."

"You have an interest in cultivating him. That, I understand. But as for friendship--that, I don't understand. However--if Demerzel lost power, quite apart from the effect it might have on your position, then Cleon himself would be running the Empire and the rate of its decline would increase. Anarchy might then be upon us before we have worked out all the implications of psychohistory and made it possible for the science to save all humanity."

"I see. --But, you know, I honestly don't think that we're going to work out psychohistory in time to prevent the Fall of the Empire."

"Even if we could not prevent the Fall, we could cushion the effects, couldn't we?"

"Perhaps."

"There you are, then. The longer we have to work in peace, the greater the chance we will have to prevent the Fall or, at least, ameliorate the effects. Since that is the case, working backward, it may be necessary to save Demerzel, whether we--or, at least, I--like it or not."

"Yet you just said that you would like to see him out of the Palace and away from Trantor and beyond the Empire."

"Yes, under ideal conditions, I said. But we are not living under ideal conditions and we need our First Minister, even if he is an instrument of repression and despotism."

"I see. But why do you think the Empire is so close to dissolution that the loss of a First Minister will bring it about?"

"Psychohistory."

"Are you using it for predictions? We haven't even gotten the framework in place. What predictions can you make?"

"There's intuition, Hari."

"There's always been intuition. We want something more, don't we? We want a mathematical treatment that will give us probabilities of specific future developments under this condition or that. If intuition suffices to guide us, we don't need psychohistory at all."

"It's not necessarily a matter of one or the other, Hari. I'm talking about both: the combination, which may be better than either--at least until psychohistory is perfected."

"If ever," said Seldon. "But tell me, where does this danger to Demerzel arise? What is it that is likely to harm him or overthrow him? Are we talking about Demerzel's overthrow?"

"Yes," said Amaryl and a grim look settled on his face.

"Then tell me. Have pity on my ignorance."

Amaryl flushed. "You're being condescending, Hari. Surely you've heard of Jo-Jo Joranum."

"Certainly. He's a demagogue-- Wait, where's he from? Nishaya, right? A very unimportant world. Goat herding, I think. High-quality cheeses."

"That's it. Not just a demagogue, however. He commands a strong following and it's getting stronger. He aims, he says, for social justice and greater political involvement by the people."

"Yes," said Seldon. "I've heard that much. His slogan is: 'Government belongs to the people.' "

"Not quite, Hari. He says: 'Government is the people.' "

Seldon nodded. "Well, you know, I rather sympathize with the thought."

"So do I. I'm all for it--if Joranum meant it. But he doesn't, except as a stepping-stone. It's a path, not a goal. He wants to get rid of Demerzel. After that it will be easy to manipulate Cleon. Then Joranum will take the throne himself and he will be the people. You've told me yourself that there have been a number of episodes of this sort... --This text refers to the cassette edition.

From AudioFile

The final volume of Isaac Asimov's epic Foundation series is brought vividly to life by David Dukes's masterful reading. Asimov's hero, Hari Seldon, struggles with his greatest work on psychohistory in the fading light of a doomed empire. Asimov fills his futuristic tale with a rich blend of captivating mystery, espionage and intrigue. While the world Asimov portrays is far removed from our own, David Dukes's resonant voice fires our imagination and brings the story to life thanks to his remarkable range. His voice has an almost hypnotic clarity which makes even the oddest sounding names and places glisten with familiarity. The result is an enthralling story that holds one entranced from start to finish. R.W.B. (c)AudioFile, Portland, Maine --This text refers to the cassette edition.

From the Inside Flap

A stunning testament to his creative genius. Forward The Foundation is a the saga's dramatic climax -- the story Asimov fans have been waiting for. An exciting tale of danger, intrigue, and suspense, Forward The Foundation brings to vivid life Asimov's best loved characters: hero Hari Seldon, who struggles to perfect his revolutionary theory of psychohistory to ensure the survival of humanity; Cleon II, the vain and crafty emperor of the Galactic Empire,

From the Paperback edition. --This text refers to the cassette edition.

About the Author

Isaac Asimov began his Foundation Series at the age of twenty-one, not realizing that it would one day be considered a cornerstone of science fiction. During his legendary career, Asimov penned pver 470 books on subjects ranging from science to Shakespeare to history, though he was most loved for his award-winning science fiction sagas, which include the Robot, Empire, and Foundation series. Named a Grand Master of Science Fiction by the Science Fiction Writers of America, Asimov entertained and educated readers of all ages for close to five decasdes. He died, at age of seventy-two, in April 1992. --This text refers to the paperback edition.

From Kirkus Reviews

The final science-fiction novel by the legendary Asimov--a prequel to his widely acclaimed Foundation Trilogy, written in the 1940's. The story begins on Trantor, capital planet of a Galactic Empire that has stood for millennia; only a few citizens suspect that the Empire is about to collapse. Among them is Hari Seldon, mathematics professor and inventor of psychohistory: a science that allows him to predict and control the future. Psychohistory proves that the fall of the Empire is inevitable; but it also suggests ways to ameliorate the coming Dark Ages, and to lay the foundation for a Second--more stable--Empire. Luckily, Seldon has made important allies: the Emperor himself, who heard an early lecture by Seldon and has maintained an interest in him ever since; and Eto Dermerzel, long the power behind the throne. Essentially, the story is of Seldon's carrying out the mission implicit in the opening chapters. As with many of Asimov's last few novels, it includes a number of references to other books in his fictional universe, as well as an appearance by the long- lived R. Daneel Olivaw (the Robot series). As a result, many of the best things here will appeal primarily to those who know Asimov's fictional future in its entirety, or nearly so. That, let it be noted, is no small audience. Overall, not on a level with Asimov's best, but it may well be his most interesting fictional portrait of a scientist's life and work. A moving valedictory performance. -- Copyright ©1993, Kirkus Associates, LP. All rights reserved. --This text refers to an alternate kindle_edition edition.

Review

"'A wonderfully satisfactory capstone to an immense science fiction achievement'" * The Times * --This text refers to an alternate kindle_edition edition.

From the Back Cover

A stunning testament to his creative genius. "Forward The Foundation is a the saga's dramatic climax -- the story Asimov fans have been waiting for. An exciting tale of danger, intrigue, and suspense, "Forward The Foundation brings to vivid life Asimov's best loved characters: hero Hari Seldon, who struggles to perfect his revolutionary theory of psychohistory to ensure the survival of humanity; Cleon II, the vain and crafty emperor of the Galactic Empire, --This text refers to an alternate kindle_edition edition.

From Publishers Weekly

The late Grand Master of science fiction brings his most famous work, the epic Foundation series, to a posthumous close in this volume. Returning to the format of earlier books in the saga, he presents the story in discrete, novella-length segments, finally grappling with the figure at the center of the entire series: the adult Hari Seldon, creator of psychohistory and father of the Foundation itself (the young Seldon was featured in the previous series novel, Prelude to Foundation ). Here, Seldon confronts various threats to the Empire or to the psychohistory project, thwarting them for the most part by his characteristic brand of informed intuition. In part I, Seldon recognizes the rise of a dangerous anti-Imperial movement led by the charismatic Jo-Jo Joranum, and defuses it while simultaneously backing into the post of First Minister. In the second segment (of five), Seldon narrowly avoids an attempt on his life but cannot prevent the assassination of the Emperor Cleon I. Seldon faces personal as well as political setbacks while civilization crumbles. This volume neatly sews up the series, though it offers few real surprises. Most interesting is the glimpse it affords of Asimov himself, obviously personified in Seldon. The psychohistorian's vast intellectual interest, his concern for the future of learning in a time of decline, and his frustration in the face of mortality, ring true with special poignance. Asimov's fans should savor this final taste of his unique persona.
Copyright 1993 Reed Business Information, Inc. --This text refers to an alternate kindle_edition edition.

From School Library Journal

YA-This prequel to the "Foundation" series chronicles the life of Hari Sheldon as he struggles with his developing science of psychohistory in order to secure humanity's survival. It works best when read in conjunction with the previous six titles. However, Asimov has left readers with a fascinating portrayal of a man set against the backdrop of the "rise and fall of the galactic empire." It is well written and peopled with believable characters. Essential for all science-fiction collections.
Copyright 1994 Reed Business Information, Inc. --This text refers to an alternate kindle_edition edition.

From Library Journal

As a galactic empire struggles to hold onto the million worlds it purports to rule, one man conceives of an idea that will preserve human knowledge during the dark ages that will follow the empire's inevitable fall. The man is Hari Seldon. His idea: psychohistory. In his seventh and final Foundation novel, completed shortly before his death, Asimov explores the life and times of the farseeing professor whose life's work produced a legacy of hope and faith in human survival. Drawing together threads from his previous "Foundation," "Empire," and "Robot" series, sf's grand master of storytellers provides the capstone to one of the genre's most enduring epics. Expect considerable--and well-deserved--demand for this title. Previewed in Prepub Alert, LJ 12/92.
Copyright 1993 Reed Business Information, Inc. --This text refers to an alternate kindle_edition edition.