The first of his peerless novels of Cold War espionage and international intrigue, Call for the Dead is also the debut of John le Carré's masterful creation George Smiley.

"Go back to Whitehall and look for more spies on your drawing boards."

George Smiley is no one's idea of a spy—which is perhaps why he's such a natural. But Smiley apparently made a mistake. After a routine security interview, he concluded that the affable Samuel Fennan had nothing to hide. Why, then, did the man from the Foreign Office shoot himself in the head only hours later? Or did he?

The heart-stopping tale of intrigue that launched both novelist and spy, Call for the Dead is an essential introduction to le Carré's chillingly amoral universe.

Review

“A subtle and acute story of counterespionage marked by restraint, indirection, and intelligence.”— The New York Times Book Review
— New York Times Book Review

"Brilliant. Realistic. Constant suspense...excellent writing." —The Observer — Observer (UK)

“Thrilling…makes most cloak-and-dagger stuff taste of cardboard.”— Sunday Telegraph — Sunday Telegraph (UK) --This text refers to an out of print or unavailable edition of this title.

From the Inside Flap

"Intelligent, thrilling, surprising ... makes most cloak-and-dagger stuff taste of cardboard."-- Sunday Telegraph (London)

With the incomparable opening chapter of Call for the Dead , titled "A Brief History of George Smiley," John Le Carré introduces his legendary spy and immediately ensnares you in the shadowy world Smiley inhabits.

Pulled back from overseas duty during World War II, Smiley was redirected to face the threats of the Cold War. He had been asked to interview Samuel Fennan of the Foreign Office after an anonymous letter accused Fennan of Communist Party membership. Smiley's report cleared him of the allegations, so he was stunned to learn that Fennan had died the day after the interview, leaving a suicide note that claimed his career had been ruined. Investigating circumstances that make no sense to him, Smiley gradually uncovers a spy ring and in so doing is led into a lethal duel of wits with the best of his war-time pupils.

Call for the Dead marks the beginning of John Le Carré's brilliant literary career, just as it launches the life of one of the most memorable fictional characters of the twentieth century.

John Le Carré is the author of The Spy Who Came In from the Cold ; Tinker, Tailor, Soldier, Spy ; Smiley's People ; The Tailor of Panama ; The Constant Gardener ; and many other best-selling titles, including this most recent novel, Absolute Friends. He lives in Cornwall, England.

--This text refers to an alternate kindle_edition edition.

About the Author

New York Times bestselling author John le Carré ( A Delicate Truth and Spy Who Came in from the Cold ) ** was born in 1931 and attended the universities of Bern and Oxford. He taught at Eton and served briefly in British Intelligence during the Cold War. For the last fifty years he has lived by his pen. He divides his time between London and Cornwall. --This text refers to an out of print or unavailable edition of this title.

From the Back Cover

Praise for Call for the Dead

"A finely wrought and compelling admixture of three types of crime writing: the novel of action and excitement that we commonly call a thriller, the spy story, and the detective story."-- P. D. James, from the Foreword

"A subtle and acute story of counter-espionage marked by restraint, indirection, and intelligence."-- The New York Times Book Review

Praise for John Le Carré

"Le Carré is more than just a great storyteller-- he captures the Zeitgeist itself."-- Tom Wolfe

"No other contemporary novelist has more durably enjoyed the twin badges of being both well-read and well-regarded."-- Scott Turow

"He is one of the half-dozen best novelists now working in English."-- Chicago Sun-Times

"Le Carré is one of the best novelists-- of any kind-- we have."-- Vanity Fair

"A brilliant linguistic artist with a keen eye for the exotic and not-so-exotic locale, a crafty, moralizer with an occasional bent for sentiment."-- The Wall Street Journal

--This text refers to an alternate kindle_edition edition.

Excerpt. © Reprinted by permission. All rights reserved.

A Brief History of George Smiley

When Lady Ann Sercomb married George Smiley towards the end of the war she described him to her astonished Mayfair friends as breathtakingly ordinary. When she left him two years later in favour of a Cuban motor racing driver, she announced enigmatically that if she hadn't left him then, she never could have done; and Viscount Sawley made a special journey to his club to observe that the cat was out of the bag.

This remark, which enjoyed a brief season as a mot, can only be understood by those who knew Smiley. Short, fat, and of a quiet disposition, he appeared to spend a lot of money on really bad clothes, which hung about his squat frame like skin on a shrunken toad. Sawley, in fact, declared at the wedding that "Sercomb was mated to a bullfrog in a sou'wester." And Smiley, unaware of this description, had waddled down the aisle in search of the kiss that would turn him into a Prince.

Was he rich or poor, peasant or priest? Where had she got him from? The incongruity of the match was emphasized by Lady Ann's undoubted beauty, its mystery stimulated by the disproportion between the man and his bride. But gossip must see its characters in black and white, equip them with sins and motives easily conveyed in the shorthand of conversation. And so Smiley, without school, parents, regiment or trade, without wealth or poverty, travelled without labels in the guard's van of the social express, and soon became lost luggage, destined, when the divorce had come and gone, to remain unclaimed on the dusty shelf of yesterday's news.

When Lady Ann followed her star to Cuba, she gave some thought to Smiley. With grudging admiration she admitted to herself that if there were an only man in her life, Smiley would be he. She was gratified in retrospect that she had demonstrated this by holy matrimony.

The effect of Lady Ann's departure upon her former husband did not interest society -- which indeed is unconcerned with the aftermath of sensation. Yet it would be interesting to know what Sawley and his flock might have made of Smiley's reaction; of that fleshy, bespectacled face puckered in energetic concentration as he read so deeply among the lesser German poets, the chubby wet hands clenched beneath the tumbling sleeves. But Sawley profited by the occasion with the merest of shrugs by remarking partir c'est courir un peu, and he appeared to be unaware that though Lady Ann just ran away, a little of George Smiley had indeed died.

That part of Smiley which survived was as incongruous to his appearance as love, or a taste for unrecognized poets: it was his profession, which was that of intelligence officer. It was a profession he enjoyed, and which mercifully provided him with colleagues equally obscure in character and origin. It also provided him with what he had once loved best in life: academic excursions into the mystery of human behaviour, disciplined by the practical application of his own deductions.

Some time in the twenties when Smiley had emerged from his unimpressive school and lumbered blinking into the murky cloisters of his unimpressive Oxford College, he had dreamed of Fellowships and a life devoted to the literary obscurities of seventeenth-century Germany. But his own tutor, who knew Smiley better, guided him wisely away from the honours that would undoubtedly have been his. On a sweet July morning in 1928, a puzzled and rather pink Smiley had sat before an interviewing board of the Overseas Committee for Academic Research, an organization of which he had unaccountably never heard. Jebedee (his tutor) had been oddly vague about the introduction: "Give these people a try, Smiley, they might have you and they pay badly enough to guarantee you decent company." But Smiley was annoyed and said so. It worried him that Jebedee, usually so precise, was so evasive. In a slight huff he agreed to postpone his reply to All Souls until he had seen Jebedee's "mysterious people."

He wasn't introduced to the Board, but he knew half of its members by sight. There was Fielding, the French medievalist from Cambridge, Sparke from the School of Oriental Languages, and Steed-Asprey, who had been dining at High Table the night Smiley had been Jebedee's guest. He had to admit he was impressed. For Fielding to leave his rooms, let alone Cambridge, was in itself a miracle. Afterwards Smiley always thought of that interview as a fan dance; a calculated progression of disclosures, each revealing different parts of a mysterious entity. Finally Steed-Asprey, who seemed to be Chairman, removed the last veil, and the truth stood before him in all its dazzling nakedness. He was being offered a post in what, for want of a better name, Steed-Asprey blushingly described as the Secret Service.

Smiley had asked for time to think. They gave him a week. No one mentioned pay.

That night he stayed in London at somewhere rather good and took himself to the theatre. He felt strangely light-headed and this worried him. He knew very well that he would accept, that he could have done so at the interview. It was only an instinctive caution, and perhaps a pardonable desire to play the coquette with Fielding, which prevented him from doing so.

Following his affirmation came training: anonymous country houses, anonymous instructors, a good deal of travel and, looming ever larger, the fantastic prospect of working completely alone.

His first operational posting was relatively pleasant: a two-year appointment as englischer Dozent at a provincial German University: lectures on Keats and vacations in Bavarian hunting lodges with groups of earnest and solemnly promiscuous German students. Towards the end of each long vacation he brought some of them back to England, having already earmarked the likely ones and conveyed his recommendations by clandestine means to an address in Bonn; during the entire two years he had no idea of whether his recommendations had been accepted or ignored. He had no means of knowing even whether his candidates were approached. Indeed he had no means of knowing whether his messages ever reached their destination; and he had no contact with the Department while in England.

His emotions in performing this work were mixed, and irreconcilable. It intrigued him to evaluate from a detached position what he had learnt to describe as "the agent potential" of a human being; to devise minuscule tests of character and behaviour which could inform him of the qualities of a candidate. This part of him was bloodless and inhuman -- Smiley in this role was the international mercenary of his trade, amoral and without motive beyond that of personal gratification.

Conversely it saddened him to witness in himself the gradual death of natural pleasure. Always withdrawn, he now found himself shrinking from the temptations of friendship and human loyalty; he guarded himself warily from spontaneous reaction. By the strength of his intellect, he forced himself to observe humanity with clinical objectivity, and because he was neither immortal nor infallible he hated and feared the falseness of his life.

But Smiley was a sentimental man and the long exile strengthened his deep love of England. He fed hungrily on memories of Oxford; its beauty, its rational ease, and the mature slowness of its judgments. He dreamt of windswept autumn holidays at Hartland Quay, of long trudges over the Cornish cliffs, his face smooth and hot against the sea wind. This was his other secret life, and he grew to hate the bawdy intrusion of the new Germany, the stamping and shouting of uniformed students, the scarred, arrogant faces and their cheapjack answers. He resented, too, the way in which the Faculty had tampered with his subject -- his beloved German literature. And there had been a night, a terrible night in the winter of 1937, when Smiley had stood at his window and watched a great bonfire in the university court: round it stood hundreds of students, their faces exultant and glistening in the dancing light. And into the pagan fire they threw books in their hundreds. He knew whose books they were: Thomas Mann, Heine, Lessing and a host of others. And Smiley, his damp hand cupped round the end of his cigarette, watching and hating, triumphed that he knew his enemy.

Nineteen thirty-nine saw him in Sweden, the accredited agent of a well-known Swiss small-arms manufacturer, his association with the firm conveniently backdated. Conveniently, too, his appearance had somehow altered, for Smiley had discovered in himself a talent for the part which went beyond the rudimentary change to his hair and the addition of a small moustache. For four years he had played the part, travelling back and forth between Switzerland, Germany, and Sweden. He had never guessed it was possible to be frightened for so long. He developed a nervous irritation in his left eye which remained with him fifteen years later; the strain etched lines on his fleshy cheeks and brow. He learnt what it was never to sleep, never to relax, to feel at any time of day or night the restless beating of his own heart, to know the extremes of solitude and self-pity, the sudden unreasoning desire for a woman, for drink, for exercise, for any drug to take away the tension of his life.

Against this background he conducted his authentic commerce and his work as a spy. With the progress of time the network grew, and other countries repaired their lack of foresight and preparation. In 1943 he was recalled. Within six weeks he was yearning to return, but they never let him go.

"You're finished," Steed-Asprey said. "Train new men, take time off. Get married or something. Unwind."

Smiley proposed to Steed-Asprey's secretary, the Lady Ann Sercomb.

The war was over. They paid him off, and he took his beautiful wife to Oxford to devote himself to the obscurities of seventeenth-century Germany. But two years later Lady Ann was in Cuba, and the revelations of a young Russian cypher-clerk in Ottawa had created a new demand for men of Smiley's experience.

The job was new, the threat elusive and at first he e...

--This text refers to an alternate kindle_edition edition.